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Massimo Sansavini, "Neverland," from April 4, 2009, 22:00

Massimo Sansavini "NEVERLAND"
works on display April 4 to 19 2009 c / Associazione Culturale Piazza Dante or
Giulianova (TE)
Thursday-Friday-Saturday-Sunday
From 19.00 to 24.00 - free entry

Exhibition opening Saturday, April 4 22.00

The artist will attend -------- ----------- - Massimo

Sansavini born in Forlì in 1961, he graduated from art school "PL Nervi", Institute for the mosaic "G. Severini" of Ravenna and the Academy of Belle Arti di Ravenna. His artistic
bases have grown to form in the early '80s, through study, research and personal experience, given the knowledge and use of wood associated with industrial resins and lacquers. The exhibition to be unveiled in Piazza Dante is called "Neverland," a traveling art route, built in 2006 by the Ministry of Foreign Affairs as a proposal for the Italian contemporary art in Germany. Will be 15 works in which the common iconographic element can be found in different stories in the mythological content and expression of the infantile world. This dominant fabulous finds its formal presentation in the most appropriate technique of the puzzle - of nesting - And strong coloristic treatment of superficie.Il content of the works on display is also more specifically expressed in the rest of the cycle in the title: 'Neverland'. Sansavini in the pictorial world of reality and fiction, past and present are often mixed or one takes the place of the other, what happens for the interweaving of poetry, something that can be seen just behind the images and the situations presented. The dialogue with the past is what gives a special dimension to the works of Sansavini. The self refers to the idea of \u200b\u200bspeed, the houses to a safe place, the waves, the sky and the stars are apparently pictures 'children', as an excuse to recapture the man naive now lost. Exhibitions
most important

-1999 stayed in Sao Paulo at the invitation of Fabio Maghalaes, President of the Latin American Parliament and Director of the Biennale of Arts of St. Paul to create sculptures on site at the Brazilian Museum of Sculpture ( MU.BE), the exhibition has been sponsored by the Ministry of Foreign Affairs of the Italian Republic and the Secretariat of Culture of the State of Sao Paulo. This itinerant exhibition was brought to the National Museum of Fine Arts in Rio De Janeiro, Rio exposure was desired by the architect Oscar Niemeyer who met Sansavini appreciating the works, the exhibition is subsequently sata esposta presso la sede dell’Ambasciata Italiana a Brasilia ed in seguito al Museo di Arte Contemporanea di Curitiba, e a quello di Belo Horizonte, concludendo il suo percorso nel maggio –

-2003 nel “Museo de Ciencia e Tecnicas da Pontificia Universidade Catolica” di Porto Alegre.

-2004 Bologna : Castello degli Agolanti - Riccione "Storie di Mare" Museo Civico - Arezzo "Da Picasso a Botero"a cura di Vittorio Sgarbi Palazzo Albertini - Forlì "Da Picasso a Botero"

-2005-2008 Scenografie negli studi televisivi di Rai Due per i programmi della stagione “In Famiglia” e “Piazza grande” dirette dal regista Michele Guardì.
Maison Enrico Coveri Galleria del Palazzo – Firenze 2005 Artour-o Firenze Starhotels mostra collettiva Istituto Italiano di Cultura Helsinki - Galleria Piirto - Helsinki Magazzini del Sale – Cervia Laboratorio Internazionale di restauro “Alchimia” Cavezzo (MO) Esecuzione del Palio Storico per la città di Gualdo Tadino (PG) Le immagini della mostra "Storie di Mare" sono state utilizzate per promuovere la manifestazione "Incontri di Mare", incontri di carattere artistico culturale svolti nella riviera adriatica nel periodo estivo2004, curata dalla Regione Emilia-Romagna assieme al Ministero delle attività Produttive. Fonda la soft art, un movimento che utilizza nuovi materiali nell’arte contemporanea ricevendo consensi e appoggi dai più importanti art critics.
During his career he has exhibited with exhibitions in New York, Boston, Sarasosta, Miami, Moscow, Berlin, Wolfsburg, Nuremberg, and Latvia.

The artist has agreed with Enrico Coveri Maison a design exclusively for the design of a fabric to the first collection, "Enrico Coveri Spring / Summer 2009 collection presented this fall as part of the PAP in Milan.


have written about Sansavini - Giuseppe Bonini, professor of Aesthetics at the Academy of Fine Arts of Brera, critic and curator. Read the review - Maria Virginia Cardi, Professor of Anthropology at the Accademia di Belle Arti di Ravenna and Brera. Read the review - Fabio Magalhaes, Director of the Biennale of Art of Sao Paulo, Brazil - Chairman of the Memorial of Latin America - Curator of Art Biennial of Mercosul. Read the review - Rosanna Ricci, journalist (Il Resto del Carlino) .- Alessandro Riva, journalist (Arte Mondadori), critic and curator and creator of the Italian Factory. Read the review - Paul Rizzo, a journalist (the Gazzettino of Venice - Arts in). Read the review - Vittorio Sgarbi, art critic and curator .- Tommaso Trini, Professor of Art History at the Accademia di Belle Arti di Brera art critic and historian. Read review - Franca Zoccoli, giornalista (il Resto del Carlino) scrittrice e storica dell’arte. Leggi la recensione



Ufficio Stampa – Walter De Berardinis – walter.de.berardinis@alice.it
C/o Piazza Dante Club
Piazza Dante Alighieri 2 64021
Giulianova Alta (Te) – centro storico
http://www.piazzadante.net/
mail: info@piazzadante.net

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GEOTHERMAL ENERGY RENEWABLE ENERGY SOURCES

PUBLIC MEETING
GEOTHERMAL ENERGY: ENERGY FROM THE EARTH

We expect many
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Periodontist Canada Salary

Presentation: "The revolution against the Middle Ages "by Pietro Ferrari

Presentazione del volume “La rivoluzione contro il Medioevo” di Pietro Ferrari, Prefazione di Massimo Micaletti (Ed. Solfanelli)

Friday, April 3, 2009, at 21:00, at the headquarters of giuliese "Piazza Dante Club" in Piazza Dante Alighieri, 2 - the historic center of Giulianova.

Guests:

Sandro Galantini, journalist and historian

Pietro Ferrari, author

Walter De Berardinis, journalist http://www.giulianovanews.it/

What does it mean "medieval"? What does "revolutionary"? Pietro Ferrari if you ask sharp and engaging with this essay, and in his lucid and unforgiving critique of modernity, assumes and concludes that the Middle Ages and the Revolution are not historical or cultural phenomena more or less close to us. Categories are rather of the spirit.
How can we, then, reading the book of Peter Ferrari, the Revolution is a category of today and the past belongs to the Middle Ages? The Revolution against the Middle Ages is not the pamphlet of a nostalgic, argued the fee is quite strict and an intellectual who proposes a model, not only a world view that can restore a sense, be a sort of compass to the lost condition of man contemporary. Nihil novi, some would say: Massimo Fini has done something, and in many ways Marcello Veneziani and Franco Cardini have more writings mentioned similar thoughts and ideas. But Pietro Ferrari shows where the deception, reveals that the revolution has tactically and aggressively covered, giving voice to moments of history and memory that have been canceled for reasons that seem inexplicable to most and that are the very reasons of delirium relativism that pervades our times.

Pietro Ferrari was born in Giulianova (TE) in 1973. He graduated in Law at the University of Bologna, is a lawyer at the Court of Teramo.
He has published essays: The invisible chips (Upstream, Naples 2002), The cry of Europe (Tabula fates, Chieti 2003), Auto-da-fe of the West (Mark, Udine 2004) and the revolution against the Middle Ages (Solfanelli, Chieti, 2009).





Pietro Ferrari
The revolution against the medieval
Foreword by Massimo Micaletti
Solfanelli
Edition Pages 112 - € 7.00 [ISBN-978-88-89756-61-4]

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Giulianova. PIAZZA DANTE Club, Sunday, March 29, 2009 - h 19.00, THREE WOODWORM TRIO (aperitif-concert)

PIAZZA DANTE Club Giulianova

Sunday, March 29, 2009 - h 19.00

WOODWORM THREE TRIO (aperitif-concert)

Giacinto Cistola - guitar

Pierre Pica - bass

Giammartino Dario Di - drums

GIACINTO CISTOLA.Inizio come autodidatta all'età di 15 . Nel corso degli anni l'esigenza di approfondire la conoscenza della chitarra cresce con la scoperta di musicisti (Clapton, Page, Hendrix, Zappa) che si esprimono sullo strumento in modo nuovo e incomprensibile per le mie scarse conoscenze e capacità. Il mio primo insegnante N. Diciolla svelandomi i segreti della scala blues mi regala la possibilità di passare ore liete a suonare sui dischi dei signori sopra citati(con Zappa la cosa non era proprio così semplice) . Vado avanti così fino agli anni 80 quando la scoperta del disco "Blue Benson" ed in particolare il primo brano "Billie's Bounce mi fa porre una domanda di importanza vitale: perché se questo is blues I can not play a note ?..." and so under the guidance of J. Sgolastra began studying jazz., then to participate in the seminars: J. Diorio, S. Henderson, G. Cifarelli, U. Fiorentino, G. Feewel and in 2002, 2003.2004 to monthly appointments with F. Zeppetella. I was fortunate to play with: M. Manzi, M. Giammarco, P. Fresu, F. di Castri, A. Montellanico, R. Marcotulli, F. Cerri, N. "lady bird" Manzini, F. Boltro. Collaborations: Mary O'Connor sextet, Marche Big Band, Trioism, Soul Farm, trails oblique.

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PHOTOVOLTAIC ACTIVE MEMBERS OF

TUESDAY 'March 24 18:00

AT THE FEDERATION OF VENICE, VIA ELECTRICITY' 5 MARGHERA

Agenda:

- Next election

Companions be numerous!

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Pinky And Cherokee Movies

> Sunday, March 22, 2009, at 19.00, Richard MAGGITTI QUARTET ", in Piazza Dante

Sunday, March 22 2009, ore 19.00

"RICCARDO MAGGITTI QUARTET"

Richard Maggitti - sax

Giulio Spinozzi - trumpet

Abraham Rites - piano

Claudio Bollini - drums

Born in

giulianova (TE) 1 / 07/1983 had his first "encounter" with the music in '95 started to study classical guitar until a few years later, he got to have something to do with a wind instrument and from there and began his long journey in music. After the experience of the conservatory began studying jazz under the leadership of saxophonist CARMINE Ianieri that gave a solid foundation and great sensitivity. In 1999 participates in 'FESTIVAL AQUAROCK of Lusignan (France) as a saxophonist SCALE ON THE ROAD BAND, has varied experiences with groups and funky r & b that lead him around his region and is placed in the Big solo.Nel 2004 Band Universita 'della Musica in Rome under the direction of pianist Pino Iodice. In the same year he joined CABIN BIG BAND Bussi sul Tirino Gianni Ferreri directed by trumpeter alongside his teacher and clarinet BEPI Ianieri CARMINE D'AMATO that by noticing it, wanted it under his leadership and is still the his teacher. Visit and join, the tenor and baritone sax, 's Orchestra of' UNIVERSITY ' The University of Teramo directed by pianist Tony FIDANZA alongside other saxophonists including SABATINO MATTEUCCI and standard GIANLUCA CORPORAL. In 2006 he was honored to be able accompanist in the great Bob Mintzer Big Band at BUSSI IN JAZZ FESTIVAL, and has played in SIDMAR JAZZ ORCHESTRA conducted by Maestro Roberto Spadoni. He attended seminars (Chieti, JAZZ, JAZZ ARQUATI, SIENA JAZZ ...) and master classes with BEPI D'AMATO, Benny Golson, Maria Pia De Vito, Fabrizio Bosso, Max Ionata ... Currently serves on the MO'BETTER BAND (www.mobetterband.it) and is registered in the third year of the course of experimental jazz at the GB Martini Conservatory in Bologna under the leadership of tenor saxophonist B. Middelhoff, Tomaso Lama (harmony and composition), LUCA Bragalini (jazz history), R. Mazzoncini (piano), P. MORGANTE (ear training), D. Meacham (IT), Paolo Ghetti, Marc Michel, Massimo Morganti (music ensemble), is part of the big band el Conservatory "A. Cascella" directed by trumpeter Mike Applebaum Aquila.

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Alfio Chicks, on display from 19 to 29 March 2009

Friday, March 20, 2009, at 22.00, will be presented, c / o the premises of ' Cultural Association "Piazza Dante" Giulianova High, his solo show in notopittore martinsicurese Alfio Chicks: "Light and Geometry." The exhibition, presented by curator Simon Clementoni, immerse the visitor in un'atmosferasognante, almost unreal, where peace and silence regnanosovrani: basic architecture, towers, Greek temples, facades of buildings from the perspective not realistic, deliberately distorted and elongated, with the inevitable suggestions De Chirico.

The exhibition will remain on display until Sunday 29 marzo2009 and will be open on Thursdays, Fridays, Saturdays and Sundays from 19.00 to 24.00. Free admission.

Alfio Chicks
Light and geometries of

Simona Clementoni

Born in Martock (TE), 15 November 1943, Alfie Chicks boasts numerous awards and a publication on New Art by Mondadori. Includes also participate in several competitions, including the "World Wide Millennium" in Milan in 1999, "Giovanni Guareschi" in Parma in 2000 and the Biennale d'Arte "A. Cesari of Verona.
young when she moved in Legnano, near Milan, where he attended the Technical Institute, now revealing a strong predisposition for that type of drawing. Returned to their countries of origin, where he currently lives and works, he attended courses at the master Vincent Zanchiello who taught the techniques of painting in the sixteenth century, in which color and light become the essential elements of the composition. From fine art, Alfio chicks go after the metaphysical painting and then the informal, which continues to apply the technique century, clearly visible in the wise use of color that begins to become clearer and brighter, thanks to copious use of ' gold, while remaining predominantly blue, the favorite color of the artist, in its various shades to white. This period also some paintings with strong ethnic influences. Fascinated by Egyptian and Indian culture, he painted totem poles decorated with mysterious signs, graffiti, triangles, rombi e spirali. Tra i simboli più ricorrenti, lo scorpione, il suo segno, e l’occhio di falco, sostituto metonimico dell’artista che osserva, scruta ed indaga. Sono le opere dell’ultimo periodo, però, che decretano la piena maturità tecnica ed emotiva dell’artista, nel ritorno alla pittura che più gli è congeniale, quella metafisica. Inevitabili le suggestioni dechirichiane nella rappresentazione di oggetti totalmente incongrui rispetto al contesto: un manichino senza volto dalle sembianze femminili, simile ad una statua greca, elegantemente avvolto in un drappo azzurro e arancio che sfuma in trasparenze gialle, baroccamente plissettato e fermato su un fianco; sulla sinistra il globo terrestre, il mondo of which the artist feels the city, a constant in his work, on the right, assembled with composure, a still life: a large shell, a bowl of ancient ruins and remains struck by a dazzling ray of light. In the background, a desert landscape in pastel colors, but so distant and indistinct to blend into nothingness. Everything is bathed in a dreamy, almost unreal, where peace and tranquility reign supreme. And more horses, almost crazed, represented in the rigor of classical proportions, surrounded by a sort of cloud of dust which would give them a sense of movement. And then recurrence of the essential architecture, towers, Greek temples, facades of buildings from the perspective that is not realistic, deliberately deformed and elongated. The background, always very distant, hollow and indistinct, giving greater emphasis to the foreground, sometimes mysterious figures, shadowy presence or a simple head and eye greek-profile investigation: is the artist who, confidential and sensitive fearfully , hides behind his mask. More often geometric shapes: boxes, cones, pyramids, spheres, prisms and cubes, even the artist, whose precise nature and "square" is reflected in the rigor of geometric symbols that best represent it.
as a unifying element, a wise and secure mastery of the technique and color, with dramatic effects of light, the result of skill which Alfio Chicks, without the help of brush or any other technical tool, can, with a light hand and expert, to bring to light the light, giving the composition gradients and transparencies, with surprising effects of light and dark. It is precisely the technical expertise, the purity of lines, the care of the sign and details, together with a sensitive temperament and rigorous, making a complete artist Alfio Chicks and refined.

on display from 19 to 29 March 2009
Piazza Dante
Thursday, Friday, Saturday and Sunday from 24.00 ... ... ... .19.00

Play Simpsons Hit And Run Online

BY ANOTHER REALITY '

IS THE RIGHT TO STRIKE
NO TO NUCLEAR

While a terrible economic crisis is bringing down the entire country, with hundreds of thousands of jobs already lost or at risk, with salaries, wages and pensions increasingly inadequate to address the rising cost of living, and now no future generations because mortified by a creeping insecurity, the Berlusconi government chooses to speed up its policies of destruction ' environment and reducing the rights of workers and employees. The
return to nuclear power plants, despite the decision taken by the Italian people in a referendum abolitionist, a decision is not only uneconomical, but a veritable folly with environmental and social costs are immense. The four power plants from six billion euro will have to actually deal with increasing costs and much longer than now expected. Experts talk about risks much more serious than those calculated at the time of Chernobyl and even regions are strongly opposing the projects of the government: either that the Vendola Puglia Sardinia Cappellacci. We also ask the governor of the Lazio Marazzo to dissolve immediately any ambiguity.
After the attack on the national labor contract, including the source of rights the emergency continues. The new decree on the right to strike is limited (for now in transport, then we'll see) is inspired by an idea in mind: discipline by authoritarian dissent and conflict in society. After the patrols in the parks, we have to wait for the early deployment of police in frabbiche and in the workplace?

PRC Circolo San Lorenzo Hall of the House of the Left Rome III

This leaflet is clear and tangible evidence that the PRC is not prepared to put themselves in the foot head this government, and even if we are out government headquarters, we will do our part and beating us with the workers against all forms of abuse of freedom and legality that anyone, and we stress anyone wants to commit in this country.

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Gettyimages Without Matermark

RONDE

POVERTY

Patrols Ronde Valley and the democracy that you read about local and national newspapers, of which we hear from the public and private television .... We send a clear message, but questionable namely, that the main problem in this country is the security as a public policy.
It 'really? And
'That's the main problem of our country?
I think it is appropriate to elaborate on this discourse, animating even the local reality. Therefore, the question I ask is:
Mira is a problem of security and public order?
No! If Mira is not a matter of public policy, then why local parties like the Northern League, Forza Italy, Alleanza Nazionale, UDC, Italy of Values, and the Civic Party With You in Mira continue to insist on this?
The answer is to be found in the behavior of the parties themselves a livello nazionale – di governo – Lega Nord, Alleanza Nazionale, Forza Italia fanno sembrare il problema della sicurezza più grande di quello che in realtà è, (grazie anche al contributo dei Mass Media), forse per nascondere altre questioni di cui, secondo loro, sarebbe meglio non parlare troppo: il Lodo Alfano, il fallimento dell'operazione Alitalia, la disastrosa legge Gelmini, la non riforma del federalismo fiscale, solo per citarne alcuni e per ultimo il nucleare, di conseguenza il ”problema sicurezza” è un pretesto. Un pretesto che trova larghiconsensi nella popolazione.

E questo solo per creare uno specchietto per le allodole, per non parlare d'altro per non far risaltare agli ochi delle persone le altre azioni fallimentari di questo attuale governo di destra.

Ecco la caccia allo zingaro, agli stranieri, ai rom, insomma il ritorno ad una xenofobia di massa.

RIFONDAZIONE COMUNISTA sta valutando, grazie alla collaborazione di alcuni legali, se non vi sia la possibilità di denunciare le singole persone che usufruiscono di interventi che condizionano la vita e la sensibilità dei cittadini, in altre parole, che portano all'odio tra i popoli.

Torniamo ora alla nostra realtà territoriale: di sicurezza si parla quando non si sa di cosa parlare, perché comunque i partiti che ne parlano ricevono consensi.

E allora “forze politiche” sorrette da una singola person, as the civil list with you to Mira and Italy of Values, you hear only at these topics so much loved by the right-wing governments, are government aims for two years with great difficulty, but never once their presence carried a higher tone in politics except when it comes to security and patrols.
It 'important to mention that while civic list and IDV are part of the center-left majority, making use of arguments of the center, because the next provincial election, it is these "political forces" have already made arrangements for candidates with' current president of the Province Zoggia. For these reasons
Communist Refoundation senses danger of drift right of the center, mainly because of agreements with the civic lists at the provincial level. These lists, in our opinion, can not make any contribution being local, but they insist on breaking up parties that have formed our country and our Democracy.

Fabio Zanchetta, leader of the Communist Refoundation Mira

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SOLAR PANELS AND PROVINCIAL ELECTIONS MEMBERSHIP

PUBLIC MEETING: SOLAR PANELS

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Give Blood In Lauderdale For Money

Sunday, March 15, 2009, at 19:00, Open Trio

Sunday, March 15 - 19.00 h

OPEN TRIO "

aperitif concert

Galiffa Marco - guitar

Rapinesi Francis - bass

Mirko Lovely - drums.

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A NEW YEAR'S STRUGGLES FOR EVER

Companions, even this' years it is time to renew your passport. For those who wish to explore and register for the first time you can do so throughout the month of March. We expect many
every Sunday in March from 10 am to 12 noon and all day from 16 to 18 hours the seat of our club "Rosa Luxemburg”, sito in via Stazione 16 a Oriago di Mira (Ve).
Non mancate!

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Can You Masterbate With B Oil

2009 Chernobyl It is not enough ....

NO AL NUCLEARE

L'ACCORDO “BERLUSCONI–SARKOZY” PER COSTRUIRE 4 CENTRALI NUCLEARI IN ITALIA METTE A RISCHIO DI NUOVO IL PAESE

Berlusconi chiama al nucleare, e tutti in coro rispondono. In fila per una nuova grande abbuffata, le più grandi imprese italiane, un affare da più di 20 miliardi di euro senza nessun vantaggio né per l'ambiente né per il paese, con costi quasi raddoppiati rispetto alle vecchie caldaie di seconda generazione.

Enel ed imprese private italiane sono in fila per il nuovo banchetto d'affari d'oro prospettato dai 12 ai 24 miliardi di euro, cifra improponibile e insostenibile oggi per il nostro Paese, ma questo accordo–truffa nasconde un interesse tutto francese. Le centrali ci vengono fornite dalla Francia, compresi i sistemi di sicurezza e their guarantee, the fuel we buy uranium abroad, become dependent on technological point of view, the safeguards will be implemented by the Electricité experienced twenty years of nuclear reactors, a choice that in fact subtract all the resources to renewable energy - photovoltaic - wind - biomass etc. ....
Where will be located the new EPR nuclear reactors in Italy? According to a study by researchers at the CNR Institute Ibimet, old and new nuclear power stations could be activated to:

• Trino (Vercelli)
• Fossano (Cuneo)
• Chioggia (Venice)
• Monfalcone (Gorizia)
• Ravenna
• Caorso (Piacenza)
• Scarborough (Grosseto)
• SB del Tronto (Ascoli Piceno)
• Termoli (Campobasso)
• Latin
• Garigliano (Caserta)
• Mola (Bari)
• Scanzano Ion (Matera)
• Palma (Ragusa)


• Oristano


• Montalto di Castro

Quasi tutti i luoghi avrebbero delle difficoltà ad essere utilizzati da siti ad alto rischio come i nuovi reattori Epr. Caorso per motivi geologici e idrici: di fatto d'estate il Po avrebbe qualche problema ad alimentare il reattore; Montalto di Castro, le regioni e i comuni non sono favorevoli; Garigliano e Latina per motivi geologici; molti altri sono i luoghi dichiarati da comuni e regioni antinuclearisti, il rischio sismico sembra comunque sempre presente e sembra sia sottovalutato, basti pensare che in Giappone 7 impianti nucleari sono stati fermati con il terremoto del 2007 dopo conseguenti perdite radioattive and not yet distributed, both for the technical difficulties for both the high costs of restoration.
the kWh per year produced by those plants, with expenditure expected at the end of 24 billion euro, possibly active at the end of 2020, are about 45. If this money were spent on renewables, in line with the European target on reducing the greenhouse gases, we have a clean and safe energy production three times as much nuclear power and much longer, with a job staff of hundreds of thousands of workers.
must remember that the large and imposing problem of radioactive waste not only has not yet been resolved definitively, but the sites currently operated and control della loro sicurezza hanno dei costi del tutto insostenibili, rimane comunque la loro estrema pericolosità.

Questo accordo firmato se ne infischia della volontà espressa dal popolo Italiano con il referendum del 1987 , che chiaramente disse no al nucleare soprattutto per i rischi altissimi che esso comporta per la vita dell'umanità intera. Ignora e tace dei continui incidenti sui reattori di tutto il mondo con la conseguente fuoriuscita nell'ambiente, sia nell'aria, sia nell'acqua che nelle falde sottostanti di materiale radioattivo pericolosissimo, provocando come è noto a tutti un continuo aumento di malattie tumorali e non solo, e inoltre non considera che il “carburante” uranio è in esaurimento forse ancor prima del petrolio e che per questa ragione i costi da sostenere nel futuro saranno sempre più insopportabili con uno sperpero senza senso di denaro e sacrifici per tutti.

In fine ignora completamente che oggi la conoscenza moderna sulle fonti alternative, gli studi per l'utilizzo energetico dell'idrogeno e tutte le nuove scoperte in continua evoluzione applicabili da subito, ma soprattutto non si tiene in considerazione l'avvio di un nuovo modello di sviluppo che cambierà di fatto nel prossimo futuro il modo di vivere dell'umanità intera. Si prende ad esempio oggi il nuovo corso in America della nuova amministrazione del presidente Obama che sta chiaramente puntando sulla trasformazione energetica soprattutto delle fonti alternative renewable non-polluting.

Mobilize CITIZENS FROM NOW, THE COMMON GOOD unusually open, PROVINCES AND REGIONS U.S. and all are involved.

NO NEED TO STOP THIS MADNESS

of these adventurers with such indifference that the Italian people are delusional again misleading the goodness of their choices twisted convoluted, dangerous and business.

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